ELEVENPLAY x Rhizomatiks “border 2021″
FEB 13—14
SPIRAL HALL (TOKYO),
SPECIAL ONLINE VENUE
INTRODUCTION
Elaboration and update of our attempts in 2015
to establish the expression model
that can adapt to both of on-site
and online viewing experience after COVID19
A dance company, ELEVENPLAY, a director-choreographer, MIKIKO, and a collective led by Daito Manabe and Motoi Ishibashi, Rhizomatiks has presented a dance piece “border” in 2015.
We elaborate and update our attempts in 2015 to build a new expression model for both online and offline experience after COVID-19.
At an on-site venue, we have created a viewing environment where you can keep social distance to watch a dance performance integrated with mobility and mixed reality technologies from multiple viewpoints.
In addition, we offer a new way of enjoying a dance performance by allowing online access, which leads to get rid of the capacity limitations of the venue.
Project to Strengthen Earning Capacity of Cultural Arts
- Organizers
Agency for Cultural Affairs Visual Industry Promotion Organization (VIPO)
Agency for Cultural Affairs
Visual Industry Promotion Organization (VIPO)
Rhizomatiks
- Planning and Operation
Visual Industry Promotion Organization (VIPO)
Rhizomatiks
- Stage Direction | Choreography
MIKIKO(ELEVENPLAY)
- Performers
team A SAYA,MARU,NANAKO,YU,MAI (ELEVENPLAY)
team B KAORI,emmy,TOMO,MIKU,MAYU (ELEVENPLAY)
- Technical Development | Visual Production
Rhizomatiks
- Creative Direction | Technical Direction | Software Engineering
Daito Manabe (Rhizomatiks)
- Technical Direction | Hardware Engineering
Motoi Ishibashi (Rhizomatiks)
- Music
evala
- Lighting Design
Takayuki Fujimoto (Kinsei R&D)
- Stage Manager
So Ozaki, Kazuya Kushimoto
- Stage Manager Assistant
Ikumi Ijiri
- MR System Engineering
Yuya Hanai (Rhizomatiks)
- Visual Programming
Satoshi Horii (Rhizomatiks)
Futa Kera (Rhizomatiks)
- Hardware Engineering
Katsuhiko Harada (Rhizomatiks)
Hideaki Tai (Rhizomatiks)
- Fabrication
Toshitaka Mochizuki (Rhizomatiks)
Kyohei Mouri (Rhizomatiks)
Saki Ishikawa (Rhizomatiks)
- Motion Capture System
Momoko Nishimoto (Rhizomatiks)
- HPL Binaural Processing
Jiro Kubo (ACOUSTIC FIELD)
- Sound Technical Support
Kinya Takayanagi
2bit
Kosaku Namikawa
- Operation Support
Naoki Ishizuka (Rhizomatiks)
- Technical Support
Muryo Homma (Rhizomatiks)
Shintaro Kamijo (Rhizomatiks)
Shino Higuchi
- CG Production
Akira Iio (1 inc)
Kazuki Kuroiwa (1 inc)
- 4D Views & Motion Capture Recording
(Pre-Recorded)
Crescent
- Stylist
Yae-pon
- Multi-Angle Streaming System
Gnzo
- On-Site Production
Hiroki Takeshita (TOW)
Hiroshi Sanpei (TOW)
- On-Site Operation
ELEVENPLAY
- PR Design
Hiroyasu Kimura (Rhizomatiks)
Kaori Fuji (Rhizomatiks)
Miku Maruno (Rhizomatiks)
- Web Front-End Development
Hirofumi Tsukamoto (Rhizomatiks)
Kentaro Mito (armsnox)
- Web Back-End Development
Tatsuya Takemasa (Rhizomatiks)
Hajime Sasaki (mountposition)
Shunsuke Shiino (mountposition)
- entrance design
Takahito Hosono (Rhizomatiks)
- PR
Momoko Aoyagi (Rhizomatiks)
- Project Management
Kahori Takemura (Rhizomatiks)
Yoko Shiraiwa (ELEVENPLAY)
- Producer
Takao Inoue (Rhizomatiks)
- Venue Support
Wacoal Art Center
- Equipment Support
Color Kinetics Japan
ELSA Japan Inc
Nishikawa Communications Co. Ltd.
ASK Corporation, ACOUSTIC FIELD INC.